Michael Levin

Extremes like bloody backs distract from the main issue, which is not whether taxpayers should subsidize grotesque performance or perverse photography, but whether they should subsidize art at all. Market theory, of course, follows one simple rule: those who want something should be the ones to pay for it. In particular, those who want art, or a specific kind of art, should put up the money, whether by purchasing tickets or becoming a generous benefactor.

During the 1980s, just as the free market's reputation was beginning to rebound, the guardians of the national psyche discovered "workaholism." The victim of this disorder was defined as working compulsively, spending far too much time at his occupation, too little with friends or loved ones. He loses the capacity to enjoy what little leisure he allows himself, and eventually cannot even recall the point of his own frenetic activity. We were all advised to ease up, slow down, and smell the roses.